Opening Reception and Artists’ Talk
Join Sofia Carmi and Robert La Rocca for their Opening Reception & Artists’ Talk at the Italian Cultural Institute.
In the exhibit Abstract Memories and Visions
, artist Sofia Carmi
shares with us her investigations of memories of Florence, Rome and Venice through painting. In Matthew Steen words, “for Carmi, abstract art is a mix of ‘memory, mystery, color, form and texture’ that captures the viewer, forcing an interpretation not immediately apparent. An Israeli native, she was closer to the center of the European art movement living in Jerusalem, influenced both by surrealist painters and the desert landscape surrounding her as she grew up. Her aunt, Lea Vogel, was a Holocaust survivor and renowned Israeli sculptor who was also a profound influence on her art. Carmi describes herself as a ‘modernist painting in the contemporary time.'” Carmi is strongly influenced by her Italian heritage.
Robert La Rocca was born and raised in North Beach, San Francisco, and received a degree on Landscape Architecture from UC Berkeley and Harvard. In addition to a successful career as a Landscape Architect, La Rocca was President of San Francisco Art Commission and was appointed to the Board of Trustees of the San Francisco Botanical Gardens. His paintings of the last years have been an outgrowth of his profession in Landscape Architecture. In his words, “… I’m intrigued with overlapping images which make the composition more interesting–like writing a novel with several subplots. I like to trick the eye. In some cases, the lines go out to the space and it’s up to you to connect them… I’m interested in activation the entire wall space and in the impact on the viewer.”
OPENING RECEPTION & ARTISTS’ TALK
Friday, March 16, 2018 | 6:30pm
By Michael Bodley : sfgate – excerpt
A sea of red blanketed the bayside stretch of Richmond that’s home to the museum commemorating the life of Rosie the Riveter, the iconic yet fictional female factory worker who redefined the role of her many peers in World War II.
Rosie and the barrier-breaking life she represents has taken on a newfound significance of late, said a number of people taking in an annual event held in her memory at the National Homefront Historical Park.
As more than 1,000 attendees, most wearing Rosie’s traditional garb of coordinated red-and-white polka-dotted bandanas, rough, blue working shirts and jeans rolled up over red socks, milled around in a bracing breeze, a number of people said that something felt a little different this year…
Back in the crowd, as the jazz band belted out another rendition, a reporter asked a man why he was there. He declined to comment, saying the day belonged to females… (more)
Monet the Early Years
Urs Fischer in the Permanent Collection Rooms
Photos by zrants
By Charles Desmarais : sfgate – excerpt (includes video)
Kal Spelletich photo by Zrants
If robots kiss, is it a mechanical feat or a sentimental moment? What if their behavior is controlled by the brainwaves of two human beings?
San Francisco artist Kal Spelletich has built a career by hijacking ideas from engineering and science, then giving them the feel of flesh and blood. His show at Catharine Clark Gallery in 2015 was heavy with the pathos of the wired contemporary life, with jerky robotic figures acting the parts of personal friends at the push of a button.
For three performances this weekend at the experimental art space the Lab, identical 16-foot robots will move and interact, controlled by electrical impulses from the brains of two attendees. From the look of a preview video, the robots are more like giant disembodied arms with lethal claws than humanoids. Members of the audience will be fitted with electroencephalography, or EEG, monitoring helmets.
Most of the audience will not participate directly — only a few participants can be accommodated with the helmets. “We don’t know how many,” Spelletich said in a phone interview. “This is all new for us. Eight or 10?”
While Spelletich made the robots, the project is a collaboration with two others, Mitch Altman, a co-founder of Noisebridge hacker space, and Masahiro Kahata, who is described as a “psychotronics” specialist. An announcement calls the project “an experiment in improving people’s lives by exemplifying the poetry of the mind.”…
Kal Spelletich: Split Brain Robotics: 8 p.m. Friday-Saturday, April 7-8; 1 p.m. Sunday, April 9. $8. The Lab, 2948 16th St., S.F. (415) 864-8855. www.thelab.org…(more)
by Chuck Thurston : potreroview – excerpt
Image and art by Sofia Carmi
The University of California, San Francisco-Mission Bay Memory and Aging Center is an apt setting to exhibit paintings by Potrero Hill artist Sofia Carmi, who produced the works while healing from the recent loss of her long-time husband, artist Brent Bushnell.
Abstract art often attempts to connect the inner world of feelings and memories with the outer world of expressive colors, shapes, and textures, a process that Carmi finds stimulating. She referred to the creative metamorphosis of raw pigments into a meaningful painting as an “alchemical” process of transformation. Her paintings are a way of sharing this experience with others, with the hope that viewers will engage in their own metaphysical “dialog” with the work… (more)
: theartnewspaper – excerpt
Art scene is expanding into other parts of the city after high rents forced an exodus from downtown
After new spaces opened on the coattails of the dramatically expanded San Francisco Museum of Modern Art (SFMoMA) last year—most notably Gagosian opening a branch within a few blocks—the city’s gallery scene continues to grow…
In January, the blue-chip Berggruen Gallery unveiled a three-floor, 10,000-sq. ft space South of Market, next door to Gagosian. The same week, former Matthew Marks director Adrian Rosenfeld opened a new space in the Minnesota Street Project in the scruffy Dogpatch neighborhood, joining Rena Bransten, Anglim Gilbert, and Altman Siegel, which relocated there in November.
The downtown exodus has been fueled by sky-high real estate prices. Claudia Altman Siegel, Catharine Clark and Stephen Wirtz all mentioned rent rises as a factor in leaving the 49 Geary building in recent years. Gretchen Berggruen said the gallery’s move, after 46 years on Grant Avenue, was prompted by a desire for more space and “amenities” that collectors expect, like parking. In effect, the city’s gallery scene is once again expanding after a contraction. But is the collector base that underlies it also keeping pace…(more)
The lack of interest in the arts can probably be traced back to the removal of art, music, and humanities from the public school curriculum. People with no education or appreciation of the arts are not likely to invest or become serious collectors. What passes for quality visuals these days is astonishingly bad. Take a look at the ugly buildings going up all over the place if you want to see a good argument for returning art to the classrooms.
by thump.vice – excerpt
There may be no summer lovin’ in San Francisco this year.
A permit for an event celebrating the 50th anniversary of the city’s historic Summer of Love—during which thousands of young people (commonly called “hippies” and “flower children”) gathered in the Haight-Ashbury district in 1967 for what would become known as a major counterculture movement—was denied last week by the San Francisco parks and recreation department, reports The Guardian.
In their letter to event organizer Boots Hughston, they reportedly cited safety concerns, adding, “We cannot put the public at risk.”
The party, initially set to take place June 4 at Polo Field in Golden Gate Park, was proposed as a free, day-long concert. Artists supposedly confirmed to perform included Eric Burdon and War, Country Joe McDonald, Santana Blues Band’s original rhythm section, and the remaining members of Jefferson Airplane, who performed at the original gathering in 1967.
Hughston, who successfully organized the Summer of Love’s 40th anniversary celebration at Golden Gate Park’s Speedway Meadows with McDonald, Moby Grape, Taj Mahal, and more, said he plans to appeal the denial. An online petition has also acquired more than 1,500 signatures… (more)
Please sign and pass this along if you want to see the Summer of Love FREE concert tradition upheld and the true meaning of love remembered in the city where such sentiments are fading fast, becoming a relic of the past, as the rush for gold comes roaring back into the 21st Century.